Super Bock Super Rock 2012 - the music

I'm back! I had the chance to see some amazing shows at Super Bock Super Rock. I had never been to a music festival for more than a single night, so my experience this time was really different: I felt I connected to the music in a much more visceral way. I could just go from one concert to another, even from a band or an artist I had never heard of before, be sucked in by the sound almost immediately, and dance and share in the feel of the moment. 

Of course my favourite concerts were still those by artists whose songs I knew and loved already. The connection you develop from listening many times, taking advice from, and generally interacting personally with their music (often more than you do with real people - the songs won't judge you, an they show you you're never alone) is so wide and deep that your heart just keeps leaping and jumping and soaring and flying while they are performing. I don't think saying that musicians often play the role of demi-gods is going to far: most people do experience a kind of catharsis due to music, and certainly idolise them for being able to express more about our inner lives than we ourselves.

The sum of these two types of experience - the open fun of dancing and smiling to refreshing songs and the emotional pull of seeing some of my favourites perform - made me feel everything in a more complete way.

The first day, the effect of the music was impressive. I was feeling, for a variety of reasons, miserably nervous and distressed; however, as the evening progressed, I forgot and let go of everything that was bothering me. Time flew by without me ever feeling tired or out of place.


The energy and warmth of the Alabama Shakes' concert certainly contributed to make me feel at ease. Their music comes straight from a weary, but joyful, acceptance of life, and they are natural, sincere performers on stage.

I then saw a bit of Bloc Party's concert, which was certainly absorbing and got me dancing. I was sorry to go, but I really wanted to see Bat for Lashes at the secondary stage, and I was not disappointed. She  and her music (of course) are the most entrancing mix of light and darkness: sensuous, honey-voiced, moving in sweet abandon between hope and despair, with a flow of sounds (a powerful use of drums and keyboard) that balances theatrical antics and self-expression. Listening to Travelling Woman that night was one of those crisp moments of realisation that inspired me to make some peace with my own mind. (I will definitely write about it later.) Her new songs seem to have a slightly happier, more danceable tonality - I liked them and look forward to her new album.

After seeing Incubus perform their classic (Drive, better known as that song that goes 'Whatever tomorrow brings I'll be there...'), I surprised myself by being gripped into a state of thoughtlessness by Battles. I generally hate electronic music, but for once I got into it, maybe because of their strong use of fast-changing bright, colourful images, of their attractive presence on stage, and of the structured feel of their music.

The second night, the first act I saw was the main one - the controversial Lana del Rey. My opinion? She is a dream-catcher and producer; she weaves an appealing fantasy world for many people of my generation, and that is an achievement to be praised. Her artificiality is not a bad thing: the emotions she sings about are all too human, and the shiny gloss she adds to them allows the listener to find a meaning in common experiences - isn't that one of the purposes of music and art in general?


I liked her show - her coy shyness, 'perfect' prettiness, good voice and diva-like poses are seductive to watch - but I think she loses some of her mellow shine when performing live. Besides, it was much too short (45 minutes leaves you wanting more).

I then danced for the rest of the night: first, to Oh Land's sweet, happy and very colourful pop (a pleasant surprise); then to Friendly Fires (devilishly Summery music), and finally to MIA, with her powerful mix of sonorities and god-like stage presence. It was great fun!

The last night started with Perfume Genius - a quiet, sensitive type who sang ballads and looked a bit like a young, blond Morrissey -, who gave a very nice early evening show.

I was touched by Peter Gabriel's show with his New Blood Orchestra. The orchestra made all of the songs sound majestic, and I liked it that he read a few critical excerpts on politics and society. Of course, my favourite moment was his duet with Regina Spektor singing Aprés Moi.

St. Vincent's show was also impressive - her broken-doll figure, twisty movements and devil-may-care attitude made her riveting to watch, particularly when she crowd-surfed! 

The concert I most enjoyed was definitely Regina Spektor's, which was the last one I saw. She is one of my very  favourites: I have listened to her songs almost daily since I was fourteen, and keep finding new layers of meaning in the lyrics and new forms of beauty in the sounds. I had already seen her live, and been amazed. This time, though she played less songs and none of her endearing back catalogue curiosities (she kept to the singles and to songs from the last two albums), it was even a more intense experience because I was literally in the front row, which I had never been before! She (and her band) played beautifully, and her attitude on stage is the definition of sweet, which is something I admire.


The audience was a strange mix of Regina Spektor fans, excitedly singing every word and interacting with Regina - the most beautiful moment was, for me, when she sang "For all the friends that we have lost/Let's give them one more round of applause" and the audience started clapping and Regina looked so moved -, and Skrillex fans waiting for his performance afterwards. It was really a very poor decision by the organisation to put two artists that are so different performing one after the other. I found the Skrillex fans' attitude really disrespectful: they kept complaining about having to wait, asking for the time, making unpleasant comments on Regina, and generally looked very bored/almost asleep. Except for that, the concert was perfect!

All in all, it was a great musical experience I hope to repeat!