I'd like to give you just the right amount and get some change

This is one of my favourite 'romantic' poems, mostly because it isn't romantic in the common sense. Instead, it is saucy, combining naughtiness and sweetness in the form of detailed physical observations, teasing suggestions and hazy daydreams. In this context, love is described less as an intense emotional connection than as a pleasant titillation of the senses and playful desire. I like his focus on small details which he finds irresistible - as all of us do in this situation, he seems to be searching for the elusive source of his desire, and, filing to find it, surrendering to the joy of it. The author's sincerity, light humour, the sprinkling of cultural references, the forbidden nature of the desire (the author was a tutor at Oxford, and it seems obvious that this poem is directed at a student), its practicality and solidity, and his sweetness make this a hugely appealing poem.

Valentine by John Fuller

The things about you I appreciate may seem indelicate:
I’d like to find you in the shower
And chase the soap for half an hour.
I’d like to have you in my power and see you eyes dilate.
I’d like to have your back to scour
And other parts to lubricate.
Sometimes I feel it is my fate
To chase you screaming up a tower or make you cower
By asking you to differentiate Nietzsche from Schopenhauer.
I’d like to successfully guess your weight and win you at a fête.
I’d like to offer you a flower.

I like the hair upon your shoulders,
Falling like water over boulders.
I like the shoulders, too: they are essential.
Your collar-bones have great potential
(I’d like all your particulars in folders marked Confidential).

I like your cheeks, I like your nose,
I like the way your lips disclose
The neat arrangement of your teeth
(Half above and half beneath) in rows.

I like your eyes, I like their fringes.
The way they focus on me gives me twinges.
Your upper arms drive me berserk.
I like the way your elbows work, on hinges.

I like your wrists, I like your glands,
I like the fingers on your hands.
I’d like to teach them how to count,
And certain things we might exchange,
Something familiar for something strange.
I’d like to give you just the right amount and get some change.

I like it when you tilt your cheek up.
I like the way you nod and hold a teacup. I like your legs when you unwind
them.
Even in trousers I don’t mind them.
I like each softly-moulded kneecap.
I like the little crease behind them.
I’d always know, without a recap, where to find them.

I like the sculpture of your ears.
I like the way your profile disappears
Whenever you decide to turn and face me.
I’d like to cross two hemispheres and have you chase me.
I’d like to smuggle you across frontiers
Or sail with you at night into Tangiers.
I’d like you to embrace me.

I’d like to see you ironing your skirt and cancelling other dates.
I’d like to button up your shirt.
I like the way your chest inflates.
I’d like to soothe you when you’re hurt
Or frightened senseless by invertebrates.

I’d like you even if you were malign
And had a yen for sudden homicide.
I’d let you put insecticide into my wine.
I’d even like you if you were the Bride of Frankenstein
Or something ghoulish out of Mamoulian’s Jekyll and Hyde.
I’d even like you as my Julian of Norwich or Cathleen ni Houlihan
How melodramatic
If you were something muttering in attics
Like Mrs Rochester or a student of boolean mathematics.

You are the end of self-abuse.
You are the eternal feminine.
I’d like to find a good excuse
To call on you and find you in.
I’d like to put my hand beneath your chin. And see you grin.
I’d like to taste your Charlotte Russe,
I’d like to feel my lips upon your skin,
I’d like to make you reproduce.

I’d like you in my confidence.
I’d like to be your second look.
I’d like to let you try the French Defence and mate you with my rook.
I’d like to be your preference and hence
I’d like to be around when you unhook.
I’d like to be your only audience,
The final name in your appointment book, your future tense.